Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing), BWV 12, is a church to form the Crucifixus movement of the Credo in his Mass in B minor. Franz Liszt based extended keyboard compositions on the same material. This paper presents an analytical view of Liszt’s Variations on J. S. Bach’s Weinen, Klagen, Sorgen, Zagen motive, and in particular examines. Here you will find a variety of high quality sheet music for Organ for beginners and advanced players! Order fast & secure, even without regist.

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Weinen, Klagen, Sorgen, Zagen, S.179 (Liszt, Franz)

This page was last edited on 13 Novemberat Throughout the middle section, the instruments play colla parte with the voices. The lamentoa chromatic fourth ostinato, is repeated twelve times.

Update Required To play the media you will need to either update your browser to a recent version k,agen update your Flash plugin. Church cantatas by Johann Sebastian Bach compositions. The text, depicting the affliction that Christians have to pass, is assumed to have been written by Salomon Franckthe Weimar court poet who wrote most texts for Bach cantatas of the Weimar period.

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A ritornello frames part A, but also accompanies the vocal entry. Retrieved 15 April Church cantatas lszt Johann Sebastian Bach. He composed it in Weimar for Jubilatethe third Sunday after Easterand led the first performance on 22 April in the Schlosskirchethe court chapel of the Schloss in Weimar.

Views Read Edit View history. In the following table of klagsn movements, the scoring follows the Neue Bach-Ausgabe. Beginning with the highest voice, each part sings an extended sigh.

Weinen, Klagen, Sorgen, Zagen, BWV 12 – Wikipedia

BWVfor Pentecost. In other projects Wikimedia Commons. The Variations are not simply an expansion of the earlier piece, although there are a few fragments in common.

February Total duration: Retrieved 16 December Retrieved 12 August Was Gott tut, das ist wohlgetan. Retrieved 11 August Sei getreu, alle Pein. Between Trinity and Advent: Franz Liszt based extended keyboard compositions on the same material. He reworked the first section of the first chorus to form the Crucifixus movement of the Credo in his Mass in B minor.

Variationen ├╝ber das Motiv von Bach, S.180 (Liszt, Franz)

Don’t show me this message again. Retrieved 25 April The Schlosskirche in Weimar. Retrieved 16 August In the second aria, ” Ich folge Christo nach ” I follow after Christ[1] klagem decision to follow Jesus is made.

The first of three arias, ” Kreuz und Krone sind verbunden ” Cross and crown are bound together[1] reflects the conflicting motifs of “Kreuz und Krone” cross and crown and “Kampf und Kleinod” conflict and jewel. Retrieved 26 September The work is structured in seven movementsan instrumental Sinfoniaa k,agen passacagliaa recitative on a Bible quotation, three arias and, as the closing chorale, the last stanza from Samuel Rodigast ‘s hymn ” Was Gott tut, das ist wohlgetan ” His predecessor, Johan Kuhnau, had lisz noted that “visitors and distinguished gentlemen certainly want to hear something fine in the principal churches.


The cantata is opened by a Sinfoniamarked adagio assaiwhich resembles the slow movement of an oboe concerto, with an expressive and plaintive solo. The ninth repeat is similar to the first, but in more extreme harmonies.

Movement 4 sees the suffering of Jesus as a consolation for the afflicted Christian, movement 5 voices a decision to follow Jesus even in suffering, movement 6 offers the consolation that it will be only a short time list all sadness is overcome, alluding to as in movement 4 Revelation 2: